#Ready to die biggie smalls oral sex movie
#Ready to die biggie smalls oral sex series
#Ready to die biggie smalls oral sex tv

#Ready to die biggie smalls oral sex series

Sometimes, the skits were the commentary on the songs: in a series running through De La Soul’s De La Soul is Dead, a gang of bullies steal a De La cassette (from a kid who found the thing in a trash can) and offer brutal critiques of what they hear.

The border between spoken-word and hip-hop cadence is a porous one - and the best skits are scrutinized on RapGeniuswith the same Talmudic intensity devoted to songs. Diddy confirmed that Biggie Smalls was genuinely receiving oral sex in the “Respect” skit on Ready to Die. Skits let rappers indulge a talent for play-acting and Pacino-style posturing, but sometimes were more real than real. The best skits were experiments in audio storytelling that owed a debt to both the Marx Brothers and Orson Welles’ “War of the Worlds.” They used crisp, vivid sonic detail to become funnier (or scarier) for what listeners couldn’t see. I can’t listen to Nicki Minaj without thinking of Missy Elliott’s array of accents. Wu-Tang’s “torture” sketch is too harrowingly imaginative and over the top to be forgotten it inspired a Chappelle’s Show bit, and almost certainly continues to inform schoolyard taunts. Dre’s The Chronic, Warren G ended a prank call with a punchline of “Deez Nuts!” This year, Deez Nuts ran for president. Skits generally don’t age well, but they are meme generators the best of them continue to reverberate down through the ages, endlessly quotable. Playing the same track over and over, you could learn to imitate your favorite rappers (and their multiple personas) even if you didn’t understand the joke.

Just as memorably, skits served as a forum for amateur sketch comedy, a Saturday Night Live of the streets.

#Ready to die biggie smalls oral sex movie

The music was always the main attraction, but on these albums it also soundtracked an intricate, expansive audio movie - one that contained plenty of easter eggs to reward the obsessive listener. Movie-obsessed Wu-Tang member Raekwon turned a missing John Woo videotape into an episodic audio gangster flick, and the hardcore duo Mobb Deep established that those living the “cradle to the grave” lifestyle ran the risk of getting shot on the block. On epic, milestone records like Wu-Tang Clan’s Enter the Wu-Tang (36 Chambers) or Mobb Deep’s The Infamous, the nonmusical segments helped build a cinematic world, using the spaces between the songs to contextualize the violent milieu from which the music provides a transcendent escape.

#Ready to die biggie smalls oral sex tv

The best skits were experiments in audio storytelling that owed a debt to both the Marx Brothers and Orson Welles’ “War of the Worlds.”Ĭhuck D once said that “rap music is the invisible TV station that Black America never had,” for its ability to communicate blunt truths through beats and texture. But in every instance it served to highlight hip-hop’s historical connection to a long tradition of African-American oral storytelling, one that included ghost stories, tall tales, sermons, and performative “ toasts.” And by expanding the backstory (or backstage antics) of the album’s larger-than-life performers, skits encouraged listeners to invest in the notion of the album as not just a collection of songs, but an atmosphere. In exploring the narrative and comic possibilities of the segue, the album skit took many forms. Low-stakes and often seemingly improvised, these were an MC’s place to showcase a goofy sense of humor, pop-cultural dexterity, or unfiltered braggadocio - and just as often an arena for terrible accents, broad stereotypes, and misogyny. In the 1990s and early ’00s - that era of ambitious major-label concept albums whose extreme length helped justify rising prices - the skit was an interstitial building block deployed to make the music hit harder, or simply to lighten the mood. The heyday of the hip-hop skit isn’t coming back any time soon.